**This is a revised copy of the November 4th project plan.
Week 1 (11-3 to 11-9):
Week 1 was devoted to learning more through the tutorials and learning how to navigate the toolset since the learning curve for the toolset for a beginner seems pretty steep. My main goal was to start with a small modding project to see how much I could do in a small amount of time and then try to see what kind of project is doable for the next three weeks by comparing with notes on forums. My main goal for the overall project is to create a quest, so I need to piece together what is required in terms of the toolset to make a quest: characters, scripting, music, object-behavior(?), and environment(s). The toolset has so far proven to be a bit beyond my grasp, but I am still trying to figure it out.
**Some of the tutorials I watched in preparation during this week were by YouTube user dragonage22: “Downloading and Installing the Toolset,” “Creating a Room,”Altering Outdoor Terrain,” and “Adding Walls and Placeable Objects to Your Room.” I supplemented this with “Dragon Age: Origins Toolset Experiment 01” by YouTube user Wazuki Vanguard to give me a better idea of other people’s struggles and to make sense of the toolset. The basics for the project are going to take me longer than I was expecting (bracing for?), but practicing with the toolset will be the only way to really get over my hesitation with working the mod.
Week 2 (11-10 to 11-16):
With a better idea of what I can initially do, Week 2 will start off with planning what my mod will look like by designing it on paper through small descriptions of what I want to do. If I find that my mod really does end up being a quest, I want to plan out the general quest, a character list, and the overarching story of what the quest is and why the player is undertaking this particular quest, and whether or not my quest fits in with the official gameplay experience. As I make the mod, I will start seeing how the mod can work within Possible Worlds Theory as player creation being an extension of official gameplay, especially with such a strong collaborative community that modders have created as they share their mods and how they create those mods. The mods themselves become part of a player’s gameplay experience, changing certain moments in-game that give them a different perspective of the events they are working through, such as a romance option, a character skin (the physical look of a character), or a scene extension that is not official in Dragon Age Origins software.
Week 3 (11-17 to 11-23):
Week 3 will be the time period where I start rethinking how I approach my mod and the scope of the project as I adjust to match my (lack of) skillset. Hopefully, I should be making significant progress in shaping my mod towards a viable project, rather than a shamble of modding attempts in one environment. My goal for this week is to look at the mod that I have planned out on paper and see if there is a way for me to start building a functional mod that is on a manageable scale for this semester’s project and then setting aside the rest of the potential mod for the larger project I am planning.
Week 4 (11-24 to 11-30):
Week 4 should be the culmination of all of my attempts, with a cohesive body of work in terms of a mod. This week will be about learning how to integrate my creation into the official software and make it accessible to others. This may require digging further into forums and tutorials, and scouring through YouTube for more user-friendly tutorials/demonstrations. There may be hair-pulling and rocking in a dark corner with my dogs looking on in concern. This too shall pass. Maybe. But, finalizing a functioning mod and figuring out how to distribute/give access to my peers and professor is going to be an important element to the work for this week. This will, hopefully, be the time when I look towards more difficult tutorials at how to extend the quest outwards for a longer project (such as a series of quests with an overarching narrative) and creating new characters who are fully voiced once the semester is over.
- PC copy of Dragon Age Origins
- Dragon Age Origins Toolset
- Computer – my laptop
- Paper and pencil/pen/colored pencils to map out what the mod should look like and what it will, ideally, do.
- Narratology (theoretical texts) – most likely Possible Worlds Theory, with my main book being Heterocosmica by Lubomir Dolezel.
I already own a copy of Dragon Age Origins for the PC (I bought it through Amazon as a digital download), and the Dragon Age Origins toolset is available as a free download from the official Bioware Social Network site. Because Bioware is the one who distributes the toolset, I am not too sure if there are copyright issues, especially as the mods work within the software of the game. One of the only issues I may come across would be if I integrated someone else’s mod into my larger mod, but that is not my plan since I want to see what I can do with my own skills. The other copyright issue I may face is when I distribute my mod, but giving credit to Bioware for the use of their toolset should be enough as it is their software but my immaterial labor.
My project is really two-fold in terms of what I need to do: 1) learn the software to be able to make a functional mod and 2) muddle through the kind of narrative theory I would like to work on in practical application when creating a mod. I have been looking at tutorials made by other modders and theory application is absent from their work as they are trying to fill in gaps they found in the game and extra applications/looks they think would enhance their gameplay and the gameplay of others (such as outfits, weapons, and avatar skins to be more inclusive).
What I will need to do before truly diving into the project is to settle on a narrative theory that intrigues me enough to see how it would operate in a gamespace, most especially in a user-modified gamespace, and I am leaning towards using Lubomir Dolezel’s Possible Worlds Theory in his book Heterocosmica. Since my major goal is to make a playable quest for my peers, I may head in the direction of possible worlds theory as a way to see users’ creations as extensions of the actual game. Players are creating possible worlds based on their experiences within the game, creating other experiences that the game developers may not have had time for or something they may not have imagined themselves. It is this aspect of my project that I am aim to extend further after the semester has ended because I want to see how possible worlds theory understands and theorizes fan creations that become part of an extension of the original work for other gamers, and to understand how a modder’s work is shaped by the the gamespace’s internal structures (i.e. the logic of the gamespace in terms of what characters can do, how well the mods fit in with the larger structure by the game, and how the characters in questing mods behave and speak in line with the game’s cast of characters).
My concerns for this project are centered around the learning curve with the toolset and learning how to make the components of a mod about a quest work together. The toolset looks deceptively simple in terms of the categories it presents to users, but it is harder to figure out what everything does and means because the system has been so simplified. The tutorials I have been crawling through are going to be my best bet for gaining the help I need and overcoming the problems that I have been facing/will be facing with the toolset. My The concern is based mainly in the time constraints as three weeks of working through the tutorials towards practical application does not seem quite enough, and I am afraid that my project will be far smaller than I had originally anticipated or braced for during the following weeks. A final concern would be to start doing the project and too find out way later in the project that possible worlds theory is not a good match for analyzing mods, but this could be avoided if I make sure to have different theories lined up as backups (or for a Frankentheory).
Down to the end of the line we go