So what exactly is ambient rhetoric? How is this different from classical rhetoric? Or the remapping of rhetoric done by the creators of CHAT? What does attunement have to do with theories of networks and networks of theories? Why does Rickert unleash this new theory about a very old subject? What does this have to do with the bandwagon of other theories trailing like Hansel and Gretel’s breadcrumbs in the Forest of Theories?
According to Rickert, “Computer and telecommunications technologies are not only converging but also permeating the carpentry of the world, doing so in networks and technological infrastructures, houses, and buildings, manufactured goods, various sorts of content, and more. Information is not just externalized; it vitalizes our built environs and the objects therein, making them ‘smart,’ capable of action…We are entering an age of ambience, one in which boundaries between subject and object, human and nonhuman, and information and matter dissolve” (1). If the communications technologies are reshaping the “carpentry of the world,” it seems only right that our understanding of and perspective on rhetoric change also. We even get to include strains of Actor-Network-Theory, Ecology, and Castells’ Social Network Theory as we move through it and as the boundaries begin to blur actors together.
But what is ambience? Isn’t that just a type of music? Or readying the room to create the mood for a date? Well, yes but also more than that. Much more, actually. Ambience “refers to what is lying around, surrounding, encircling, encompassing, or environing. Labeling an environment ambient, then, at the very least picks out its surrounding, encompassing characteristics…ambience can mean the arrangement of accessories to support the primary effect of a work…It begins to convey more elusive qualities about a work, practice, or place. Often these are keyed to mood or some other form of affect” (Rickert 6). The example Rickert gives is the cave paintings of Lascaux and how the locations of the paintings within the cave had auditory purposes as well as visual. I found it fascinating when Rickert talks about how the paintings had been discovered quite a long time ago, but the understanding of what the paintings were for and what they meant happened more recently. It makes me wonder what changed in the flows of human knowledge that we can now better understand the purposes of paintings created thousands of years ago instead of simply seeing them as just paintings.
So if ambience deals with the environment and affordances of
[all the stuff]
[and more here too]
A conversation with the author himself, just to add more insight.
And so ends Theories of Networks reading notes.
It Has Been a Long Semester, So I Leave My Final Reading Notes with This: