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The OoS Matrix: FrankenTheorizing Composition MOOCs

Composition MOOCs: Theorizing Pedagogy, Space, and Learning. Why Here? Why Now? As argued in earlier case studies, the Composition MOOC is one of many different types of course offerings in an emerging trend (some would call it a fad) of … Continue reading

Case Study 3 — MOOCs and Student Learning: Under the Microscope

The rhetorical nature of classroom spaces has certainly influenced our field’s scholarship when exploring digitally mediated writing classrooms. Terms such as constructed, architecture, location, ecology, environment, and space appear regularly in our field’s discussions of where and how writing takes … Continue reading

Mind Map: Ecologies Part II (March 30th)

Link: Last week’s activities asked us to apply our network questions to the Ecology readings of Syverson, Spellman, the Cary Institute, and fill in the gaps with Guattari, resulting in new connections for my mind map. And even though … Continue reading

Revisiting the Proposal: March 30

Donna Haraway has been credited as one of the first to use the term “cyborg” to describe our relationship with the Digital, as we become “hybrids of machine and organism” (151). The field of English Studies, and in particular Composition … Continue reading

Case Study 2: AT + GT + MOOCs = Alphabet Soup

Introduction: In my first case study, I examined the Composition MOOC from the lens of structural theory, which provided a foundation upon which to build this second layer of analysis. There are a number of scholarly discussions concerning the technological … Continue reading

Latour & Spinuzzi Together Again: Reading Notes Post part II

Continuing from my previous post — I just couldn’t wait to share those two videos — So, back to Latour. Let me start by saying — Flick’s facial expression in the image below captures my mindset while trying to correlate … Continue reading

Proposal: Object of Study — MOOCs in Composition

Over the years, higher education has experienced a variety of shifts, some qualifying as seismic (such as admitting women), others deserving more modest descriptors (for example, electronic textbooks). Add to the seismic column the distance learning classroom. Yet even that arena of growth has seen variations that now may seem tame; for example, distance learning programs have a surprisingly long history, as this graphic from the website Straighterline illustrates.

day of the MOOC gif

Creative Commons image; author M. Branson Smith

In my own lifetime as a composition instructor, I have witnessed the growing demand for online course offerings – and with that growth tensions between pedagogy and university business models. However, the field of English Studies appears to be progressively engaging this trend, if publication records are any indication. (See this link for the CCCC annotated bibliography on online writing practices.) A thread in this conversation appears to invite intense scrutiny, and is my chosen Object of Study for this course: MOOCs, or Massive Open Online Courses.

What Is A MOOC?

“What Is A MOOC?” EdTechReview. Image and video. 15 March 2013.

MOOCs, simply defined, are typically tuition- and credit-free classes offered online to any and all interested students, using a variety of methods which include recorded short lectures, discussion boards, and asynchronous activities, depending on the subject matter. Specifically, I plan to examine Composition MOOCs, as writing courses – especially freshman writing – are problematic areas of study given the established theories of best practices that have evolved in concert with our field’s evolution into digital spaces. The subject matter seems especially useful as an object of study given that many discussions of the online or digital classroom in our field often reflect tensions associated with the history of our field’s quest for professionalization. Given the nature of MOOC-based learning systems, questions of best practices and integrity of degree programs are likely to be part of any network.

The demand for online higher education course offerings comes from a variety of sources and stakeholders. The unique characteristics of MOOCs, however, offer additional challenges, many of which mirror common discussions within our field: assessment, access, instructor training / qualifications, questions of labor, plagiarism, student engagement, retention, and pedagogy. Given recent attention paid to the trend of MOOCs by higher education publications (see resources list below), it would appear that this is an area of debate and activity that may promise productive research. For example, MOOC-based composition courses, such as that described in a paper being presented by Sherry Jones’ and Daniel singer at the 2014 CCCC on incorporating gaming in the classroom, also open up new potential for digital pedagogy.

Given the inherent structural nature of MOOCs, it seems self-evident to approach this Object of Study as a network. However, I believe the network (the rhetorical situation of this study) must incorporate more than the rather obvious element of online connectivity among students and teacher. There is the “incorporeal discourse” of which Foucault writes (24) – and what Biesecker might link to Derrida’s concept of “différance” in discussions of rhetorical situation — which might be explored through consideration of the structural / mechanical, economic / business, as well as pedagogical discourses. In short, the network concept offers a way to connect stakeholder discourses with those of the technical and the pedagogical. As I am largely unfamiliar with MOOCs, opportunities for discovery and exploration are rich, and I anticipate unexpected nodes and layers emerging as I progress.

“What is a MOOC?” A Video Explanation.


Preliminary List of Resources:

1.  NY Times article Nov. 2012:

2.  Educause resource list:

3.  Businessweek article Jan. 2014:

4.  Duke Univ. Coursera Comp I course page:

5.  Blog written by a participant in the above:

6.  Georgia Institute of Tech Comp MOOC course page:

7.  Academe blog: “The Gates Foundation and Three Composition Blogs”:

8.  The Chronicle of Higher Education – “What You Need to Know About MOOCs.” Frequently updated hub of articles:

9.  CCCC 2014 – “Composition on a New Scale: Game Studies and Massive Open Online Composition” by Sherry Jones and Daniel Singer

10.  “What Is A MOOC?” EdTechReview.  Image and video. 15 March 2013.