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Networks of Learning: A Reflection on Jenny and Suzanne’s Annotations

I chose to read Jenny’s annotation of “Rewarding Risk” and Suzanne’s annotation of “Assessing Civic Engagement.”

Jenny identified Reilly and Atkins’s key elements of assessing digital writing as “generalizable, generative, and aspirational,” elements intended to encourage students to play with the options afforded in a digital format.

From “Assessing Civic Engagement,” Suzanne identified Zoetewey, Simmons, and Grabill’s key elements of assessing civic websites as “alternative use, technical literacy, and interactivity.”

Considering these different sets of criteria makes obvious the distinction between usability and usefulness that Suzanne explained from her chapter. While usability and usefulness are not mutually exclusive, the distinction does seem to be an important one for consideration when assessing digital writing. Usability addresses how well a user can find information and/or resources as a result of the design. It seems in the atmosphere that Reilly and Atkins describe, usability is more about the designer as the user. Encouraging students to play with formatting, linking, and design options allows them to make choices about what works well for them aesthetically and functionally.

In contrast, Zoeteway, Simmons, and Grabill’s focus on usability is audience-centric: how useful are the information and resources provided? Considering how an audience will use the information and design of a website seems to further the approach advocated by Reilly and Atkins. Whereas Reilly and Atkins approach to assessment might work well for a lower-level course, Zoetewey, Simmons, and Grabill’s approach seems appropriate for more advanced students–students who already understand the affordances and limitations of working with digital writing.

Which brings us to the network aspect of these chapters. I think that we can begin to see a network of learning digital writing. The fact that assessment is so difficult highlights its complexity. It’s unlikely that students will be able to fully learn how to effectively write in a digital environment in one class, so thinking about curriculum design as a network might help educators see how classes can work together to create a comprehensive learning environment. What course options are available to students? Can looking at the network help educators shape the digital writing experiences for students in a way that is scaffolded?


Response to Annotated Bibliographies: So Now I’m a Node

I responded to Maury’s annotated bibliography of VanKooten’s “Toward a Rhetorically Sensitive Assessment Model for New Media Composition,” and I also responded to Amy’s annotated bibliography of Bourelle’s et al. “Assessing Learning in Redesigned Online First-year Composition Courses.” I appreciated Maury’s conclusion that the model VanKooten offers is plausible because I trust her academic, pedagogical, and professional chops. I appreciated Amy’s intent focus on networking as it related to her chapter because I find her insights about connections among ideas enlightening, sometimes even intimidating, in their complexity and depth. I also wonder if Amy might have politely glossed over the fact that the authors had precious few assessments to offer (in a chapter titled “Assessing Learning…”) of their shift to entirely online composition courses!

In each of my responses I noted my perception that their summaries touched on the practical and pragmatic. Part of my learning curve in this PhD program is the practical applicability of what I learn to what I do. And I don’t refer only to teaching, which I’ve only ever done at the college level in a contingent capacity over and above my full time profession as an online content manager (and sometimes developer) and marketer. Granted, these two chapters focus more specifically on composition pedagogy rather than web development, professional communications, or marketing, but they are part and parcel of a clearly pragmatic theme running through the ODU English PhD program. I am grateful for this focus, as I fully expected to find little of the coursework, reading, or writing applicable to my real world of composition and research pedagogy or professional communications. I am a product of undergraduate and graduate programs focused solely on literary and critical theory with no attempt at application (beyond the literary text) or pragmatism. As a result, I am refreshed and encouraged by the focus on pragmatism in the midst of grounding ourselves in theory.

New media assessment model (diagram)

Crystal Van Kooten’s model of New Media assessment of multi-modal compositions. Courtesy ‘Live Action Network Theory‘ by Maury Brown.

That’s not exactly what I learned from these blog posts, of course. But it’s part of the learning network I feel I’ve become a part of, and this learning network is one to which I am able both to contribute and receive. As a node in this learning network, I am able to tap into multiple genres that inform not only my theoretical stances, but also my day-to-day professional functions. So when I read Maury’s summary of VanKooten’s chapter, I join the discipline’s kairotic moment in theorizing the assessment of my students’ new media compositions. I gain entry into this particular node of the network by virtue of the fact that Maury summarized the chapter, and I read her summary. Her summary motivates me to read the chapter myself and consider applying VanKooten’s assessment rubric in some way. And when I read

Classroom network visualization (diagram)

Classroom Network Representation based on Bourelle et al. Courtesy ‘140 Characters in These Streets‘ by Amy Lock.

Amy’s summary of the chapter by Bourelle et al., I join the discipline’s pragmatic concern about labor practices and centralized decisions made about online instruction. I find myself concerned about ways my own institution centralizes curricular decisions and uses contingent faculty—and picture myself differently as a result.

I am a node in the genre of the response, in the genre system of the assignment, in the activity system of the class, and of the boundary genre of English studies. I love being a part of this network.

References

Bourelle, T., Rankins-Robertson, S., Bourelle, A., & Roen, D. (2013). Assessing learning in redesigned online first-year composition courses. In McKee, H. A., & DeVoss, D. N. (Eds.). Digital Writing Assessment and Evaluation. Logan, UT: Computers and Composition Digital Press/Utah State University Press. Retrieved from http://ccdigitalpress.org/dwae/12_bourelle.html

Brown, M. (2014). “Toward a rhetorically sensitive assessment model for new media composition” — Crystal Van Kooten annotated bibliography entry [Blog post]. Live Action Network Theory. Retrieved from http://mbrow168.students.digitalodu.com/?p=102

Lock, A. (2014). Annotated bibliography entry: Burelle et al. [Blog post]. Digital Rhetor: A Research Space. Retrieved from http://alock011.students.digitalodu.com/?p=214

VanKooten, C. (2013). Toward a rhetorically sensitive assessment model for new media composition. In McKee, H. A., & DeVoss, D. N. (Eds.). Digital Writing Assessment and Evaluation. Logan, UT: Computers and Composition Digital Press/Utah State University Press. Retrieved from http://ccdigitalpress.org/dwae/09_vankooten.html

[I am a node! Cropped Popplet visualization of my storage network with my photo added.]

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